Francis Rossi – I Talk Too Much

Due to the Coronavirus – this show is being postponed – new date asap!

Click here for tickets.

Meet’n’greet packages are available. VIP packages are also available and those include a signed photograph of Francis Rossi and exclusive VIP lanyard.

Carl Jones gives us a taster of what kind of stories we can expect to hear on the night!

He remembers it like it was yesterday. When Status Quo kicked off the biggest gig of all time – Live Aid – nearly two billion people were watching. Rock legend Francis Rossi led the live audience of 72,000 through a joyous sing-a-long and fans in 150 countries were literally rockin’ all over the world.


It wasn’t the band’s greatest show, Rossi says Quo ought to have rehearsed more so that they were sounded even sharper. But that didn’t really matter. Quo captured a mood of optimism and hope as 40 per cent of the world’s population joined together to enjoy great music and tackle Africa’s famine.

“I’ve never known a gig like that,” he says. “The energy from the crowd was unbelievable. It was something else. I think it was because it was a charity gig and everyone was there because they wanted to do something.”

Quo’s decision to go on first – the smartest move of the day – was a last-minute thing. While all of the other bands who appeared that day were squabbling to bag slots as late as they could in the day, Rossi and co were happy to go on first. “We didn’t mind at all. We just thought we’d do our gig then get out of there. But it turned out to be the best thing we could have done because when we went on the world’s entire press was focused on us.

“We walked onto that stage and I’ve never seen so many cameras in my life. Everybody was watching us.”

Rossi reminisces about his remarkable career in his acclaimed one-man show, I Talk Too Much. The hit production toured the UK in 2019 – and was so popular that he agreed to return for a further 54 shows. It features a mix of remarkable stories and a handful of classic Quo tracks played in a stripped-back and acoustic format.

Fans were dazzled when he took to the road last Spring and he’ll be visiting all parts of the UK from March until June. The show coincided with the publication of his best-selling autobiography, also called I Talk Too Much, which was written with the rock writer Mick Wall, who hosts the live shows.

Rossi is centre stage, reflecting on his partnership with fellow Quo legend Rick Parfitt, narrating the way in which he started his career as a boy, telling tales about the highs and lows of rock success and sharing the secrets of 50 years on the road.

“It’s a thorough show, we really do look at the remarkable career that the band has had. We celebrate Rick’s life, we answer questions from the fans, I do a meet’n’greet before the show and fans can buy signed copies of the book.

“It’s not for me to say whether it’s any good or not. But the fans seemed to love it first time round and we’ve been asked back to a number of the venues that we sold out.”

Rossi has watched rock’n’roll change completely during his years in the game. He’s seen the demise of bands who cut their teeth by gigging in small clubs and the rise of here-today-gone-tomorrow pop stars who feature on such shows at X Factor.


“We’re into the ‘darling’ generation of X Factor – ‘you’re so good, darling’ – but they don’t realise that most of the time in showbusiness and acting the word you are most likely to hear is ‘no’. Can I have a deal? No. Will you pay for the records? No. They only see the yes. That’s where the old school acts are strong because we played the bar mitzvahs or weddings or any other gig we could get.

“I remember walking home one night when the Stones were on and weren’t selling too well. They were at a rubbish festival in Forest Hill. Everyone always assumes they’ve always done well – not a bit of it.”

He’s an obsessive when it comes to Status Quo. While other members have come and gone, he thinks about the band non-stop, working out how they can play better shows, write better songs, please more fans and create better work.

“I’m totally obsessed. All I’ve been able to see since I was 12 or 13, is this. I’m obsessed with it. It never gets put down, to a failing. I know the rest of the guys don’t look at it the same way, in this band and in the old band.

“A lot of people just want to do the nice bit. But I can’t put this down. I’m always thinking about where I’m going next, what I’ll do, what the set will be next year. I’m always trying to get a happy medium to keep the punters happy, which is impossible. The hardcore want the old, old stuff that most don’t know, the general audience wants the stuff we’ve done for years and some of the others want to hear new ones. The band, sometimes when we’re doing the new stuff, can’t understand why the fans don’t love it as much as us. It’s a game that’s impossible to win – maybe that’s why I love it.”

Rossi has led one of the most remarkable rock’n’roll lives. His band sold a reported 100 million records, he put more than a million pounds worth of drugs up his nose – until part of his nose fell off in the shower – and he made waistcoasts fashionable long before England manager Gareth Southgate.

He’s been responsible for some of the most memorable and life-affirming rock’n’roll songs of the past 50 years and during his one-man show he’ll tell fans how some of those came about.

“I’d never done a talking tour before but I’ve quite enjoyed it. More to the point, the audiences have told me they’ve really enjoyed it too.”

Flush from the success of Status Quo’s most recent album, Backbone, and riding the crest of a wave, Rossi’s tour is a must-see show.









Barry Steele – The Roy Orbison Story

On March 7th, Barry Steele will once again bring his stunning Roy Orbison tribute to Camberley. Barry is joined on stage a five-piece band and sensational guest pianist Boogie Williams the band will perform original material written but never sung by Roy Orbison and showcase elements of the symphonic orchestration first heard on the recently released albums.

To buy tickets click here.


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Q What is it about Roy Orbison’s music that you love so much?

A Orbison’s songs not only have wonderful melodies and tunes, the lyrics are some of the most sublime ever written.  Not only does the music take you back in time, the songs can make you happy, sad and emotive all at the same time. Orbison is known as a balladeer, but he also recorded and performed rocky and contemporary songs. His songs are quite simply timeless.

Q When did you first discover your singing abilities and their likeness to Roy Orbison’s?

A It was on a family holiday in Cornwall in 2001 that I took the first steps on the road to becoming a professional singer, when my wife Lynne and daughter Leonie entered me into a singing competition without my knowledge. It was there that a fellow competitor said to me, “You know you sound just like Roy Orbison singing Robbie Williams!” so with the help of family and friends a tribute to The Big ‘O’ was born

Q Your favourite Roy Orbison song?

A California Blue and Leah

Q What can the audience expect from The Roy Orbison Story?

A I am backed in this all live multi-media show, with not only a fabulous band and musicians, but a big screen featuring both live streaming, and images from the life and times of Roy Orbison, interspersed with factoids and information about the life and times of what is considered to be one of the best singers the world has ever known.

Q. What was your Plan B, in terms of a career?

A   Plan B. My career in music started quite late in life, so I guess you could say Plan B arrived before Plan A.  Before my musical career took off, I was a qualified HGV and tanker driver, I was also in the RAF.  I have refuelled Vulcans and The Red Arrows, and also worked for many years for ASDA as one of their Drivers.

Q Which musicians, apart from Roy Orbison, alive or dead, inspire you?

A. To be honest the person that has inspired me the most was my uncle and namesake, another Barry Steele, who was on the circuit in the 60s and 70s. He had and still has the most amazing voice, on par with Harry Seycombe!

Q Your house is on fire, what one item do you save?

A After the wife, it would be my guitars!

Q Theme song for your life?

A – too many to mention.

Q Last meal on earth?

A  Spag Boll!


Q Dream dinner party guests?

A Roy Orbison, Jeff Lynne, George Harrison, Bruce Springsteen, Toyah.

Q First thing you’d do if you won £1million?

A – I don’t think a million would be enough, as I would love to own my own theatre. I would also love to buy an articulated lorry, as I do miss driving them.

Q If you could rule for a day, what would be the first thing you would do?

A – Stop prescription payments

Q Tell us something about yourself that most people don’t know?

A – I love indoor bowls.

Q Favourite holiday destination?

A – Wales

Q What was the last book you read?

A – Harry Potter

Q If you could only eat one food for the rest of your life, what would it be?

A – Spag Boll

Q Describe yourself as if you were a fine wine?

A – Fresh and Fruity

Q What makes you happy?

A  – Playing bowls

Q What makes you sad?

A – missing playing bowls

Q Do you believe in aliens?

A – Not sure tbh.

Q Have you ever had a paranormal encounter?

A –  I haven’t but my wife has, she lost her younger brother recently and it was very sudden. Since then she has had experiences.

Q What was the first album you ever bought?

A – Wings – Band on the run

Q If you could go back to any point in history, what would it be?

A –  I would like to go back to the 80’s – the music was phenomenal then.

Q What is the best advice you have ever received, and who did it come from?

A – From my uncle Laurie, who told me to persevere with my basic training for the RAF, as I was ready to quit many times. He told me to stick it out!

Q What do you do to unwind?

A – Playing Bowles, scrabble and doing jig saws.

Q Happiest memory?

A – Fishing with my dad and catching a whopper!

Q And most embarrassing?

A – Performing in Cyprus with a band that the promoter had organised. They did not know the music at all. I just sang and left them to do their own thing!

Q Biggest regret?

A – Performing in Cyprus!

Q What are you proudest of?

A – Our west end debut last year and doing what we do. I am so proud of our show; it has been a family achievement.  We were told by so many promoters it would not work. So my wife said, We don’t need them, we will do it ourselves, and everything you see has been achieved by our family. Not a single promoter has had any input at all.

Q Who do you admire most?

A – Roy Orbison and our family.

Q And who do you detest?

A – artistes who have egos, and promoters and shows that stoop to anything to make a quick buck.

Q If you could turn back the clock what one thing would you change?

A – To start earlier, but I am not sure I would have been ready .

Q Who would you like to thank?

A – My wife for pushing me and creating the show, my parents for my voice, and our family for their support.

Q What advice would you give to your younger self?

A  – You only get out of life what you put in. Don’t expect it to come to you.

Q What’s the hardest thing you’ve ever had to do?

A – See above Cyprus in 40c

Q Hardest thing you’ve had to give up?

A – Driving HGV lorries.

Q Do you give money to beggars?

A  – No.

Q What’s your motto?

A – I don’t have one.

Q Write your own epitaph?

A – Here lies Barry Steele – He had a voice!

Q What keeps you awake at night?

A – Hmmm! The wife snores!

Q What have you got in your pockets?

A – handkerchief, a comb and a pen.

Q Last text message you sent/received?

A – Be ready to leave ours at 11.45 am.

Behind the Scenes ‘Robin Hood’ Photos

Here’s a lovely insight into the world of panto – our photographer Drew Tomons took these great behind the scenes and back stage photos.

‘Robin Hood’ runs until 31 December and has been getting fabulous reviews.

The Farnham Herald ‘…a fun, entertaining and delightful night out’

 Let’s Go With The Children 5 ***** ‘….go again, it was that good!’

 Muddy Stilettos ‘…a guaranteed festive fun night out.’

 WhatTheRedHeadSaid ‘The whole show is literally a laugh a minute!’



Thunder interview by Mick Wall

2nd October Camberley Theatre – SOLD OUT


Unplugged and Unscripted – An Intimate Evening with Danny & Luke


The story of Thunder is really the story of singer Danny Bowes and guitarist Luke Morley. Friends since they were 11 years old, they have dedicated their lives into making Thunder one of the most successful British rock groups of all time.

‘The 1990 Monsters of Rock festival at Castle Donington was the moment that crystallised it,” Luke recalls. “80,000 people, we started the first song and all the hands went up. I was like, bloody hell! The hairs are going up the back of my neck even thinking about it now. That gig changed our lives. I’ve never been nervous on a stage since. Never.”

This year sees the 30th anniversary of the release of the first Thunder album, Backstreet Symphony. Produced by Duran Duran guitarist Andy Taylor, it was an instant chart hit, yielding five Top 40 singles.

“One of the things Andy really did for us was what he called Attitude Adjustment,” laughs Luke. “Don’t turn it down. Turn it up. Don’t drink one wine when you can have five. Louder! Harder! Faster! More girls! He’d kind of had his wings clipped in Duran. So he was like us, really up for it now.”

When their second album, Laughing On Judgement Day, went straight into the UK charts at No. 2, Thunder looked set for global stardom. Wild man Guns N’ Roses singer W. Axl Rose said Thunder was his favourite band and personally helped them get a record deal in America.

“They were great fun days,” says Danny. “Touring with Aerosmith and Heart, then headlining our own shows all over Britain and Europe. We were all set to crack America when suddenly Nirvana and grunge changed everything.”

Although Thunder shared the same blues-rock roots as grunge stars like Pearl Jam and Soundgarden – “We have always been more of a T-shirts and jeans group than the hair metal acts of the 80s,” Luke points out – in America they were lumped in with suddenly out-of-fashion rock outfits like Bon Jovi and Def Leppard.

“It was hard to complain though as our British fans have always so loyal to us,” says Danny.

A further string of hit records followed in the 90s. Then out of the blue the band broke up. Why?

“We’d been together for 10 years at that point and the music biz had changed. Records weren’t selling as the Internet took over,” Danny explains. “No one has a divine right to be in a band forever.

“It was a bit hamster in the wheel,” says Luke. “We would go out every 18 months and do a tour, which would do well. But it felt like the doors were all closed when it came to our records. So we thought, okay, let’s stop then.”

Danny and Luke both did various solo projects. But then the classic rock market began to bloom as several rock giants like Kiss, Black Sabbath, and Queen began to reform and when an offer came a few years later for Thunder to do likewise it was the start of a major comeback.

Danny: “I went to the band, said here’s an offer, it’s arenas, what do you want to do? Are you washing your hair or what? And they all said, great, let’s do it.”

They had a big comeback hit with ‘I Love You More Than Rock N’ Roll’ and saw their 2015 album, Wonder Days, go Top 10.

“It was a great feeling,” says Danny, “best of all though was that we felt it was probably our best album ever. It was like coming full circle.”

That circle has been made complete in recent years with another Top Five album, Rip It Up, in 2017, and the release in September of their Greatest Hits, commemorating their 30th anniversary.

To mark the occasion, in October Danny and Luke undertake a 16-date UK tour titled Unplugged & Unscripted – in which they will perform acoustic versions of some of Thunder’s best-known songs and be interviewed onstage by the acclaimed music author and broadcaster Mick Wall.

“It’s going to be completely different every night,” Danny reveals. “A 90-minute show in two halves, with about half an hour’s music and an hour’s worth of chat. Plus answering whatever questions the audience want to ask. Followed by a meet-and-greet with the fans after the show.”

Luke: “It’s going to be great. Talking is not something we ever have a problem with. We’re really looking forward to it. The nice thing is that a lot of the songs do work really well with just an acoustic guitar.”

“And a vocal!” Danny laughs.

Thunder were rabble-rousers in their youth, but with both Danny and Luke now in their late-fifties, what’s life on the road like for them now?

Luke smiles. “Well, neither myself nor Danny has ever done a Class-A drug. The booze definitely, and the birds. I’m married now so not anymore. But back in the day, bloody hell! Yeah, course! That was the great thing about Thunder becoming successful. It was like, okay, I’m going to enjoy this for a while.

“These days, one’s stamina isn’t quite what it was, put it like that. But that’s okay. Back in the day, we’d have three pints and a couple of whiskies before we went on stage, then carry on drinking while we were onstage. Then afterwards start drinking properly. Now the first beer doesn’t touch my lips until we come off stage. It’s the same for all of us. Nobody drinks before we go on.”

As Danny points out, “With the march of time comes the realisation that if you continue to do things the way you did when you were young, you won’t be able to do them for much longer. Also, I’ve got to the stage where I’ve started to find it just really dull, drinking. I got to the stage where I thought: I’m even boring myself. You do enjoy it more if you do it less often.”

Are we still talking about drinking?

“I’m not sure,” laughs Luke. Are we?”

Vienna Festival Ballet: The Nutcracker – interview with Gill Mallek

On 10th October, we are delighted to welcome The Nutcracker, performed by the Vienna Festival Ballet.

Be swept away on a magical adventure in one of the most famous classical ballets of all time – The Nutcracker.

Set to Tchaikovsky’s sumptuous score, the traditional tale of The Nutcracker tells the story of Clara and her enchanted nutcracker doll. Their adventures see Clara and the Nutcracker combat the Mouse King, and join the Sugar Plum Fairy and her Cavalier on a wonderful journey through the glistening Land of Snow to a kingdom made entirely of sweets.


With its combination of enchanting choreography and unforgettable music, The Nutcracker promises to delight audiences of all ages with its festive setting and light-hearted story.

Clara jete

For tickets click here

We asked Gill Mallek, the Vienna Festival Ballet’s Marketing Manager a few questions.

You were a former pupil of Lorna Timms in Camberley – how important were those days for you and can you remember anything vital you learned?

Those days were so important, they instilled my love for ballet and dance, I adored my teacher Lorna Timms, and I passed my very first ballet exam with Honours at her school


Vienna Festival Balllet The Nutcraker Medina Theatre 16 12 16 Copyright Graham Reading Photography

How did you end up with the Vienna Festival Ballet?

I auditioned for Vienna Festival Ballet back in 1981, I was lucky to be accepted and have been there ever since

How many productions have you worked on and do you have any stand out favourites?

I danced in all the productions , as Corps de Ballet and later Soloist. My favourite roles are Snow Queen in The Nutcracker and Queen of the Wilis in Giselle.



Vienna Festival Balllet The Nutcraker Medina Theatre 16 12 16 Copyright Graham Reading Photography

When did you start to get more involved in the production of ballet rather than dancing?

After Peter and I got married and I had my children, so around 20 years ago



What is the best ballet you’ve ever seen and what made it so special?

 Giselle and Swan Lake are my favourite ballets. always very special to me, the music combined with the choreography never fails to thrill me 


Vienna Festival Balllet The Nutcraker Medina Theatre 16 12 16 Copyright Graham Reading Photography

Have you any advice for and young dancers?

You have to really like it,  you need lots of determination and you have to enjoy working hard.



Camberley Theatre Associated Play to Appear At Edinburgh Festival

An original drama previewed and produced in association with Camberley Theatre is to appear at the Edinburgh Fringe Festival this August.

‘Songs for a New World’ is a brand new adaptation of the Jason Robert Brown song cycle.


Revel in the wonderful music of Jason Robert Brown (Parade, 13, The Last Five Years), with this fully staged ensemble production of ‘Songs for a New World’. Featuring ten characters, this highly creative adaptation interweaves the stories of a group of migrants in 1948 as they travel by boat from Europe to New York City. Presenting ten of the songs from the cycle including ‘I’d Give It All For You’, ‘I’m Not Afraid’, ‘Steam Train’ and ‘Christmas Lullaby’. The songs are evocative, moving and powerful and draw on pop, jazz and gospel influences that examine life, love and the choices that we make. It’s about one moment.

Following previews in Camberley in April, returning Fringe Director, Alison Lawrence (The Last Five Years, 2015, Edinburgh Fringe Sell-Out show) has produced this innovative new version which has been more than two years in development. Simply Theatre are delighted to be bringing this fantastic new show to the Fringe, in association with Camberley Theatre.

Andy Edmeads, the manager at Camberley Theatre says,

‘I am really excited to be supporting Simply Theatre with this production which in turn marks Camberley Theatre’s first foray into the Edinburgh Fringe Festival.

Simply Theatre have consistently delivered high quality productions in the local area for over 10 years and have given lots of performing opportunities for local performers – some of whom have trained and work professionally alongside those who do it very much as a hobby.

The show was really well received when it was performed at Camberley Theatre in April and I look forward to supporting them at the Fringe in August!’

A full professional band will accompany performances, 5th-10th August at Space / Surgeons Hall, Edinburgh.

Beyond The Barricade Interview

Beyond The Barricade comes to Camberley Theatre on Saturday 1 June.

Tickets here.

Interview with Andy Reiss from Beyond The Barricade


How did Beyond the Barricade come about and what should audiences expect from the show?

The original concept came about when David and I were performers in Les Miserables. I saw the potential of creating a concert version of some of the most popular songs from the musical theatre genre. I wanted to make sure the songs were true to the original versions, so that the audience could invest in sitting and listening to a concert version, but be completely immersed in the storytelling of each particular song. The added bonus of having 4 principal performers from Les Miserables meant that we could also without doubt show the pedigree of the performers. We take our audience on a journey through some of the greatest stage musicals, including Miss Saigon, Phantom of the Opera, Blood Brothers, The Lion King, Hamilton, and of course Les Miserables.

What roles did you play in Les Mis?

My primary roles were the Factory Foreman and Combeferre, but I was very fortunate to perform Enjolras in Dublin and Edinburgh on many occasions, and also played Valjean in Edinburgh.


What first triggered your love of music, and at what age?

I was always surrounded by music from an early age with my parents and grandparents being involved in Hednesford Salvation Army brass band, and by the age of 5 I had learnt how to read and play music. I think that definitely gave me a good grounding in music for my future. I played in a few bands during my later teenage years, but I always loved performing in the local musical theatre societies too


So did you start working in musical theatre as soon as you left school?

I didn’t actually. I went to university and studied economics with child care law, and worked within that field for a number of years. However most of my spare time was given over to performing on stage. I then attended an open audition for the first production of Les Miserables outside the West End, just because I wanted to give it a go – and was very surprised when they offered me a contract! I thought it would just be 12 months work and I would go back to my day job. I never dreamed I would end up touring with the show in Manchester, Dublin and Edinburgh, and then transferring to the West End. It was also a great privilege to return to Les Mis, as the Resident Director for the first National Tour.


With such a wide variety of musicals would you say this is a show for Musical Theatre fans or would you say there is something for everyone?

We get terrific feedback after the shows. We have a lot of people saying that we have introduced them to new shows. We have just introduced Hamilton into our concert, so our audiences can also have a sprinkling of more modern musicals too. Beyond the Barricade can travel further afield to where the big touring shows don’t reach. People tell us that we have persuaded them to go and see more theatre which is great. It is the same with Les Misérables, amazingly even though it has been going for over thirty years, we still get people writing saying that we have introduced them to the music of this phenomenal show.


Beyond the Barricade obviously takes up a lot of your time, do you have time to do anything else?

Beyond the Barricade runs throughout the year except from mid July until the end of August. At that time, I usually work at Malvern Theatres and I direct their summer show. We’ve done Les Misérables of course, and also shows like Jesus Christ Superstar and Oliver. I also occasionally go to theatre groups and run masterclasses on Musical Theatre. It all keeps me very busy!


To tour with the same show for so many years is very impressive, do you perform nationwide?

We go all over the UK and recently we have also performed in Manila Singapore, Hong Kong, New Zealand and Australia. In Europe we have performed in Denmark, Spain and Malta, and also on the Cunard liners.


Doesn’t constant touring get tiring?

Yes a little, you can do a show and then have a three and a half hour drive home so it can be exhausting but it never gets boring The buzz of live performance soon wakes you up! At no time do I ever take anything for granted, and the only reason the show is still in existence is because people are willing to come out to see us. Each and every member of Beyond the Barricade never loses sight of that.


What is your career highlight to date?

That’s a tough one, as the business has been kind to me. Being picked to perform as part of a worldwide cast of Les Miserables performers to celebrate the 10th anniversary of the show was pretty major. The show pulled together the original company plus casts from the worldwide productions and performing alongside everyone at the Royal Albert Hall was very special. I am also proud that Beyond the Barricade was able to stage a concert at the Royal Albert Hall to mark its very own 10th anniversary.


Who is your greatest influence?

It’s difficult for me to name one great influence as I have been fortunate to have people spur me on at crucial times. My music teacher at Kingsmead, Alan Williams, was an amazing teacher, and then Jean Brown, a director well known in drama circles across Cannock Chase, gave me loads of opportunities before Ken Caswell, who was the Director of Les Mis, took a chance on me, as I had no formal training. Away from theatre, the raw power of the late, great Freddie Mercury was a great influence.


Have you ever been star struck or met your heroes?

I’m not sure it was being star struck – more like being amazed at the stature of the man – and that was David Hasselhoff! During my time as Director of Les Mis, he flew in to London to audition for the part of Valjean while we were rehearsing for the national tour, but he didn’t get it! I guess seeing the original Valjean – Colm Wilkinson – rehearsing for the 10th anniversary concert was also a wow moment.


What would be your advice for anyone looking for a career in the industry?

I believe hard work and respect go a long way. Of course there are moments you need that little piece of luck, but I can testify to having a productive career without any formal training. So I guess – never let anyone tell you that you can’t do it.


Why do you think classic musicals have stayed so popular over the years?

I think the success behind classic musicals like Les Mis, Blood Brothers, West Side Story – the list is endless – is that they are in themselves great stories. They have characters that the audience can relate to easily. The musical scores were written to complement the wonderful stories, so the two together just make a great recipe for success.

Jonathan Rockefeller on The Very Hungry Caterpillar Show

Following seasons in London and New York, one of the most iconic characters in children’s literature will wiggle his way to Camberley this June, when The Very Hungry Caterpillar Show plays at Camberley Theatre on 15th and 16th as part of a UK Tour celebrating the 50th Anniversary of the book.

The Very Hungry Caterpillar Show features a menagerie of 75 enchanting puppets during a magical 60-minute show that faithfully adapts four of Eric Carle’s best loved books for the stage: Brown Bear, 10 Little Rubber Ducks, The Very Lonely Firefly and, of course, The Very Hungry Caterpillar.

VHC Full Cast

Jonathan Rockefeller is the creator and director of The Very Hungry Caterpillar Show, and here he talks about the process of adapting Eric Carle’s iconic story and illustrations for the stage.

 The book celebrates its 50th birthday this year and remains as popular as ever. What do you think are the reasons for its enduring appeal?

 “It’s pretty hard to believe that a little picture book could have such enduring appeal – until you pick it up and read it! Eric Carle’s bright, bold pictures are works of art, and nobody can resist playing with the holes in this book. The Very Hungry Caterpillar is not just a book, it’s what Eric describes as a toy book or book toy – something that is meant to be played with even before you learn how to read.”

The Very Lonely Firefly


The story is as much loved by parents as it is by children. Why do you think that is?

 “I think everyone has a positive memory of this book. It’s usually the first book you are given as a child,or give to your own child; and on first glance the pictures are enticing. But I think it endears itself with parents because it’s a deceptively simple book that enables children to associate words with everyday objects, and in turn helps teach children to read and communicate. Not to mention it’s a great story that brings joy and lots of laughter – especially the big, fat caterpillar.”


How did The Very Hungry Caterpillar Show come about?

“In 2012 I had a crazy idea that these wonderful, simple picture books that the entire world grew up on would make a great visual show. And so I sat down with my sketchbook and began. Getting Eric Carle on board is a whole other story…”

10 Little Rubber Ducks (4)

How did you and the creative team approach translating Eric Carle’s iconic illustrations for the 3D world of theatre?

“It was a challenge to translate these books because all of Eric Carle’s iconic illustrations are flat and seen from one angle, so we had to imagine what it was like to see the same object from all angles. The second challenge we had was each animal needed to move as seamlessly as it would in the real world. The colours were the third challenge to get exactly right too – bringing his painted tissue paper collage to life on a large scale. It took a lot of trial and error and revising scale, building patterns, and adapting our techniques – using industrial fabrics from construction sites instead of paper, and broomsticks as paintbrushes.”

Has Eric Carle been able to see the show?

“It was a long journey to bring the show to the stage, and took the collaborative work of my team and Eric’s team to ensure everything was perfect when compared to Eric’s illustrations. Eric has been so complimentary throughout the journey – he’s so witty and charming. Eric wasn’t able to see the show’s debut in Australia, but he came to the New York premiere with all his family, friends and his editor of many years. Aside from the excited children sitting around the group, I don’t think there was a dry eye in the house. Although everyone had been part of the journey, finally seeing Eric’s life work have a life of its own was moving for everyone. It was truly special.”

The Very Hungry Caterpillar Show is a great first introduction to theatre for young children. Why do you think this is?

“Eric Carle’s work has delighted young readers for generations. For so many children it is almost a right of passage to be introduced to reading from this book – and it is the perfect introduction to the theatre with 75 incredible puppets coming to life in front of their eyes!”

Why should families come and see the show?

“I asked a four-year coming out of the show why people should come and see it. He told me “It was the best-est most amazing, incredible show he had ever seen in his entire life, and I can not wait to see it again”. Coming from a four year old that’s the highest possible praise and why we do this show.”

The Very Hungry Caterpillar Show plays at Camberley Theatre on as part of a UK Tour celebrating the 50th Anniversary of the book. For more information and tickets visit

Lee Ridley AKA Lost Voice Guy Interview

Following the unprecedented success of his appearance on the final of Britain’s Got Talent 2018, BBC New Comedy Award winner and star and writer of BBC Radio 4’s comedy series, Ability, Lee Ridley (aka Lost Voice Guy) is setting out on a tour of the UK.

He comes to Camberley Theatre on Friday 22 March and you can get your tickets here.

Lee Ridley (aka Lost Voice Guy)

 Interviewed By Brian Donaldson

In the summer of 2018, Lee Ridley was already a popular figure on the comedy circuit. But when he scooped the crown of Britain’s Got Talent in June, Lost Voice Guy suddenly became a name everyone was shouting about. Winning a TV talent contest can take an act onto a whole new level of fame with doors opening more readily than they might have done before. As he takes to the nation’s stages with a touring show entitled I’m Only In It For The Parking, the County Durham-born Lee found that this was no more truer than in his case.


“The main reason I decided to audition for Britain’s Got Talent was obviously to meet Ant and Dec,” he half-jests. “But I also did it because I thought it would help me develop as a performer. Of course, I never expected to win it. In fact, I had to cancel my summer holiday because it clashed with the final. It was definitely worth it though. I think the look on my face when I won said it all. Winning the show has changed my life in so many ways. As a comedian, I’m busier than I ever was before. One of the best things to happen since I won is that people are engaging with me a lot more than they would have in the past. For the first time they seem comfortable talking to a disabled person. I’m used to being stared at for negative reasons so it’s nice to be stared at for positive reasons for a change.”

Lost Voice Guy - Tour photo by steve ullathorne

While Lee has plenty to say about those who have bigoted opinions about disabled people, he’s just as tough on those who are either patronising or overly keen to elevate the disabled into saints simply for being able to achieve something. And all of it is done in the most non-Geordie accent you can imagine, all plummy, middle England and computerised, with the voiceless Lee communicating through an iPad app. But why did he pick that particular voice to express his comedy with?

“To be honest, I didn’t have much choice. The app I use to speak only had a limited number of voices to choose from, and my particular voice was the best of a bad bunch. I’m quite used to sounding like a posh version of RoboCop now though, and I think the posh accent makes my jokes even funnier. I’ve sounded like this for most of my life now, so I do think of it as being my own voice. I think I’d feel weird if I had to change it now.”

Having started performing comedy in 2012, Lee won the BBC Radio New Comedy Award in 2014 and has created hour-long shows for the Edinburgh Fringe such as Disability For Dunces, Inspiration Porn and Laughter Is The Worst Medicine. He’s also co-written and starred in Ability, a Radio 4 sitcom about a man with cerebral palsy who moves out of his parents’ home, and penned a book which shares the title of this new touring show.

But with all that success on his CV already, where does he see his career going now? “I honestly don’t have any big ambitions. When I first started stand-up comedy, I just thought I’d try it for a bit of fun. I never expected to be this successful in my wildest dreams. So, I’m just taking it all as it comes and seeing what might happen next. I’m enjoying the ride and that’s the most important thing.”

Being on tour is something of a ride for any comedian, but for Lee, that adventure has extra obstacles and barriers inherently built into it. However, he is determined to make the most of these opportunities. “I think the best thing about being on tour is getting to see some really lovely places that maybe I wouldn’t have ever visited otherwise, and then getting to meet people from all different walks of life. I’ve got a lot of fans based all over the place so it’s nice to be able to get to meet them. One of the worst things is definitely being away from home. I quite like my home comforts such as my bed and being able to sit in my pants and watch television all day. So I miss that when I’m away.”

Audiences, of course, come in all different shapes and sizes, and life on the road wouldn’t be the same without some odd incidents occurring along the way. “You would be surprised at how many people come up to me after gigs and ask if I really can’t speak. Because, of course, it would totally be acceptable to pretend to be disabled for a laugh. I can safely say that I have never been able to talk. I have lived in Newcastle all my life, but for some reason I still haven’t picked up the accent. However, if you are trying to place my accent, it’s from PC World.”

Scope Ambassador Lee Ridley - with Clare Balding

Truth plays a major part in Lee’s comedy and he is often calling out politicians as well as the general public for their negative or dishonest approach to disability. The upside is that he’s rarely short of stories and anecdotes. One instance where he was ordered by a train inspector to give up his disabled seat for someone else inspired his episode on the Sky Arts Comedy Shorts series last year. “I think most of my comedy comes from my real-life experiences. On the one hand, that’s quite frightening because some of it is unbelievably ridiculous. But on the other hand, it gives me some great material. I’d be silly not to use these experiences, and if I didn’t laugh about it then I’d most definitely cry!” As the nation is about to find out, it’s not just Lee who’s laughing when his Lost Voice Guy airs his opinions.



“Here Come The Girls” INTERVIEW

Dianne Buswell and Amy Dowden have established themselves on the hit BBC show Strictly Come Dancing and Chloe Hewitt also joins the cast of pro girls to make it the first Girls tour.

For tickets for the show at Camberley Theatre on Friday 5th April click here.

We are very excited to be hosting Here Come The Girls, the all new show that brings an exciting mix of individual performances and group numbers with their supporting dance partners. The show will have a mix of Ballroom and Latin routines and has been choreographed by Patrick Helm, this show promises to be a fresh and innovative with amazing routines to dazzle and wow you. Patrick will also perform on the show with Dianne!



How did your dancing career start?

Dianne: I began dancing at the age of five in Perth, Australia. I went on to compete from an early age representing Western Australia in National and International Ballroom and Latin events. I found success in Australian TV show “So You Think You Can Dance” at the age of 18.

Amy: I started dancing at the age of eight at my local dance school Shappelles in Caerphilly along with my twin sister. I soon joined the school’s formation team and immediately fell in love with the world of dance. I studied ballroom, Latin, freestyle, ballet and contemporary but my dream was to be a top competitor on the open Latin and ballroom competition circuit.

Chloe: My dance training began at the tender age of seven when I joined Pritchards Dance and Fitness Academy in Burleydam. I went on to win many dance titles but my proudest achievement was winning the World Championships at Blackpool Winter Gardens in 2015. I first appeared on TV on ITV’s Britain’s Got Talent in 2013 when I got through to the live semi-finals.

When did you join Strictly Come Dancing?

Dianne: I joined in 2017 as Strictly’s new professional dancer. My first celebrity partner was the Reverend Richard Coles who I sadly bowed out of the 2017 competition with during week three.

Amy: I was invited to become one of the professional dancers in 2017, partnering comedian Brian Conley. In this first year on the show I won the “Children in Need Strictly Special” with Mark Curry and danced in the Christmas special with Colin Jackson.

Chloe: In 2016 I joined the cast becoming the youngest ever professional to join the show at the age of 20 years old. My Strictly career has seen me dance in the 2016 Christmas Special with Gethin Jones and partnering the incredible Blue Peter presenter Radzi Chinyinganya for the 2017 “Children in Need” show.

Which celebrity dance partner has made you laugh the most?

Dianne: I’d say Joe because I was with him the longest but for the short amount of time I danced with the Reverend Richard Cole he made me laugh a lot so I’d have to say these two made me laugh equally.

Do you get nervous before you go on stage?

Chloe: I think it’s very natural to feel nervous due to all the adrenaline but I feel more excited than anxious. Competing makes me more nervous than performing but I try to channel the nerves into excitement instead of running and hiding.

 How does it make you feel being Strictly’s first Welsh professional dancer?

Amy: Incredibly proud. I’ve always been proud of my Welsh roots.